“I WANT TO USE THE COLOR TO PAINT EVERYTHING. I TRY NOT TO LOOSE THE COLOR DUE TO THE FORM.” KASPARS ZARIŅŠ
...FROM THE INTERVIEW WITH THE ART CRITIC, INGA ŠTEIMANE – THE CATALOGUE “THE INNER VOICE” – EXHIBITION IN WHITE HALL OF THE LATVIAN NATIONAL MUSEUM OF ARTS IN RIGA.

“THE EXCLUSIVITY AS THE CRITERION – THE PRECONDITION OF FORMATION OF THE INFORMATIVE SPACE FOR THE PAINTER’S PICTURES. THEIR ARTISTIC VALUE – BEAUTIFUL MENTAL EXPERIENCE. THE QUESTION – IF THE PURE NAIVETY OF THE IMAGE SYSTEM IS THE DELICACY OF FORMS? AT ONCE IT LEADS TO THE ENVIRONMENT OF THE MASCULINE LIKE STRONG AND TECHNICALLY AND SCIENTIFICALLY PERFECT MANNER OF PAINTING. SCULPTURESQUE LINE – PLASTIC, SENSITIVE FORM, COLORISTIC JOY AND CREATIVITY AS THE VALUES. THE FACTURE OF THE PAINTINGS FILLS THE ROOM WITH THE SUBSTANCE OF LIGHT – THE CATEGORY OF THE SUPREME VALUE OF THE PAINTER’S CANVAS, AS THE SUPREME MEANING OF THE UNIVERSE. DELICATE AND MULTILAYERED FACTURE OF THE CANVAS EMBODIES THE PRINCIPLE OF THE CRYSTAL PRISM TO COLLECT THE FREQUENCIES OF THE SUNLIGHT WEAVES AND REFLECT THEM BACK INTO THE SPACE ...THE WHOLE COLORFUL PALETTE OF EXISTENCE OUR EYE CAN PERCEIVE. THE CREATION IS THE NARRATIVE ON THE RADIANT CODE OF THE VISIBLE FORM OF THE WORLD. EXCLUSIVE COMPOSITIONAL STRUCTURE, THE PROPORTIONS, THE SYMMETRIC DISTRIBUTION OF THE IMAGES, AND THE EXQUISITE FORMATS OF THE CANVAS – THE SQUARE, “THE GOLDEN CUT”, AND THEIR DERIVATE EQUIVALENCES WHEN SEARCHING FOR THE HARMONY IN THE FRIEZE- AND PYRAMID- FORM PLANES OF COMPOSITIONS. THE ILLUSORY ORTHOGONAL CHARACTER OF THE PAINTINGS’ SURFACES CREATED BY THE LINES AND THE LOOK, AND THE SPELL OF THE CHROMATIC PERSPECTIVE TRULY FASCINATE. CLEAVED FORMS OF THE FIGURES, FRAMING OF THEIR DETAILS – EVERY BIT AS THE SHOT IN THE PAINTER’S CREATION, THE NEW VERSION ON THE VALUES.